Sunday, 30 May 2010

Another piece of the jigsaw of writing and publishing

This is my dear friend Seyda, who until her retirement worked extremely hard as an English teacher in Adana, Turkey. She taught in a Science Academy, where the students were high-flyers and went on to study medicine, engineering, etc. They needed to be fluent in English before starting a university course, so the standard was very high.



Seyda's two daughters were also high-flyers and grew up learning to speak good English as well as studying very hard in all their subjects. In fact, Arzu, her elder daughter, has been teaching English at Bosphorus University in Istanbul for a number of years. Arzu has also found time to research translation, a subject she finds endlessly fascinating. At present we are waiting for her to finish her PhD on a related area. Already she has brought out this book, which casts new light on the role - and manipulation - of translating texts from one language into another.









Thursday, 20 May 2010

Fans

The most common fan in the 18th Century was the folding variety based on Chinese models. Unlike their Asian counterparts, however, European fans had elaborately carved and decorated sticks, made of ivory, mother-of-pearl, horn, wood, and tortoise shell. Fan leaves were made of vellum and paper and were both hand painted and printed.



A Vernis Martin fan of the early Eighteenth Century.


Lace fans were extremely unusual and fabric fans were not used at all until the 19th Century.


The sticks and guards of this Nineteenth Century fan are made of mother of pearl. The lace is further embellished with embroidery.

In 1709, Sir Richard Steele commented in The Tatler that "the fan is the armour of women" and "the men's minds are constructed by the waving of that little instrument...our thoughts in composure or agitation according to the motion of it".

The language of the fan could be understood by both sexes and was an important means of communication. A quick gesture conveyed a silent message that could escape the attention of a chaperone or a jealous spouse. Thus, drawing the fan across your left cheek indicated 'I love you' or letting it rest on the right cheek meant 'yes'. Touching the tip of the fan with one finger meant 'I wish to talk to you' but holding the closed fan with your little finger extended meant 'goodbye'. There is a long list of what the various gestures mean - no wonder the gentlemen were in 'composure or agitation' at social gatherings as they sought to decide their ladies' mood on that evening.

It was considered acceptable for a gentleman to offer a fan as a gift to a lady, perhaps at Christmastime. Many of these were works of art, with pierced and gilded ivory or mother of pearl sticks and guards, and delicately painted leaves of paper, embroidered muslin or lace.  



File:Hand fan 1815 1820.jpg

Blond horn brisé hand fan with steel dots applied. It is a typical exemple of the early decades of XIX century.