http://sharpecompendium.net/wp/
#The Sharpe Compendium
• Everything you wanted to know about Richard Sharpe but were afraid to ask.
Showing posts with label Sean Bean. Show all posts
Showing posts with label Sean Bean. Show all posts
Saturday, 4 June 2011
The Sharpe Compendium • A great source of Regency era information with LOTS of Sharpe.
Regency era costumes, uniforms, weapons, transport, Army info, recipes, and lots more. All with photos galore of Sharpe and his men. Enjoy!
http://sharpecompendium.net/wp/
#The Sharpe Compendium
• Everything you wanted to know about Richard Sharpe but were afraid to ask.
http://sharpecompendium.net/wp/
#The Sharpe Compendium
• Everything you wanted to know about Richard Sharpe but were afraid to ask.
Wednesday, 30 March 2011
The romantic hero and his appearance
Recently I asked in a blog discussion what a romantic hero's qualities should be. The answers came back : he should have integrity, honesty, courage, loyalty, compassion, kindness. In addition he needs a sense of humour and should be fierce and passionate.
How do we picture our hero when we write or read a novel? If we give him some or most of the above qualities, do we want them to be hidden by a moody exterior or do we want our hero to stride across the pages, straight-backed, fiercely gazing at his foes or merrily facing his troubles with a carefree front? Shall we add faults, weaknesses for him to overcome, a problem with his character, an unattractive appearance or maybe an external difficulty such as poverty to test him? And is our hero aware that he is a romantic hero?
Georgette Heyer had her tongue firmly in her cheek when she wrote in 'Devil's Cub' that the prim Frederick Comyn "cherished a love for the romantic, which the Marquis of Vidal, a very figure of romance, quite lacked."
It's tricky to give a precise description of a character when you are writing a novel. We all have our own idea of beauty and want to project that onto the hero in the story we are reading. Only Colin Firth has been [almost] universally accepted as Mr Darcy. But we're each of us entitled to draw inspiration from the type of man we prefer - and isn't it a good job we all like different physical types!!
Here are some of the guys who help me create a hero for a story.
Guess I rather like dark hair in a hero.... but notice I put Sean Bean at the top.
How do we picture our hero when we write or read a novel? If we give him some or most of the above qualities, do we want them to be hidden by a moody exterior or do we want our hero to stride across the pages, straight-backed, fiercely gazing at his foes or merrily facing his troubles with a carefree front? Shall we add faults, weaknesses for him to overcome, a problem with his character, an unattractive appearance or maybe an external difficulty such as poverty to test him? And is our hero aware that he is a romantic hero?
Georgette Heyer had her tongue firmly in her cheek when she wrote in 'Devil's Cub' that the prim Frederick Comyn "cherished a love for the romantic, which the Marquis of Vidal, a very figure of romance, quite lacked."
It's tricky to give a precise description of a character when you are writing a novel. We all have our own idea of beauty and want to project that onto the hero in the story we are reading. Only Colin Firth has been [almost] universally accepted as Mr Darcy. But we're each of us entitled to draw inspiration from the type of man we prefer - and isn't it a good job we all like different physical types!!
Here are some of the guys who help me create a hero for a story.
Guess I rather like dark hair in a hero.... but notice I put Sean Bean at the top.
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