Research for my current WIP takes me to strange places. And the byways of that research often yield much more than was expected. In August, I needed to make a second trip into the Ariège region of France in order to investigate the type of horses that could be bred and managed in that mountainous area.
Mérens horse
Castillon horse
[image courtesy of www.chevalcastillonais.fr]
Lucie consulted the Routard guidebook for the region near Foix. 'Horses,' she exclaimed, 'Just listen to this: "The Mérens horse is considered to be descended from the race represented in cave paintings from the Magdalenian period, 13,000 years ago. Short legged and sturdy, they are perfectly adapted to the Pyreneen region." ' Then she gave a shout of triumph. 'We can stay at the Ferme de Méras, where the owner farms only with oxen or mules. He gives courses in training farm animals and is an associate of the Mérens horse society.'
That is how we came to spend four days at Olivier Courthiade's farm. It was an experience of life in the countryside as it used to be. The farm is reached via a road with several hairpin bends. Our arrival was observed by a crowd of dogs and several mules, as well as a Mérens horse. Within half an hour of arriving, we were embarked in Olivier's car, together with as many dogs as could fit in around us, to drive up the hill to take grain for his sheep and goats. These wander freely during the summer season, so they all wear bells. The tinkling came faster and faster as they all rushed to their barn for a share of the grain.
Olivier simply sweeps all visitors into the family. Dinner is eaten - late - on the balcony, with a view of the sunset behind the hills. Then as darkness falls, we continue our meal by candlelight. The food is a delight - all cooked by Olivier from the produce of his garden and local meat. His soups and sauces are mouthwatering. The relaxed atmosphere adds to the charm of the evening. In this photo, everything is ready for a first course of 'soupe à l'oeuf'.
The farmhouse
Below : The stables and some of the carts in use
Below : Inside the stables. The mules are very happy if you bring them apple peel.
For more pictures and information about courses or simply staying on the farm, follow the link below.
Ferme de Méras - Ariège Pyrénées
09240 La Bastide de Serou, Ariège Pyrénées, France,
Tel : (33) 05 61 64 50 66 ( Daily before 9am or after 9pm)
English spoken - Habla español + catalan ...
[C] words - Beth Elliott, photos Lucie Rochelle 07/09/2012
Beziers is a historic town in Languedoc in southern France, in the Hérault department. The town is chiefly known for wine and for bullfighting. There is a large community of inhabitants of Spanish origin, so the annual Feria, held over five days in August each year, attracts the very best bullfighters and the flamenco dancers.
A million visitors are attracted to the town at this time.
In unexpected corners of the town, Bodegas appear. These are little cafes, each with its own theme, selling local wine and providing live music from about 10pm until 5am the next morning. Along the Allee Paul Riquet and in all the main squares, crowds wander in happy mood, stopping to sample the food and drink on offer or to watch the numerous displays of folk dancing, acrobatics or to listen to the live music - everything from classical guitar to jazz, via African drums and Eastern European or Asian instruments.
In the cloister of the Cathédrale Saint-Nazaire, every seat is taken to watch the superb Flamenco performance by the Jose Manuel Alvarez Company from Barcelona.
The dances are very stylised and sweep the audience along in their intensity. As in the picture above, the dancer represents movements from the bullfight.
It is a tradition that the bullfighters at the Feria are the best Spanish bullfighters of the year; those who have won all their competitions.
Turkey has always been renowned for its carpets and kilims. Seen in many paintings from Renaissance times on, they represent a touch of luxury. They are made in a range of materials and styles with varying patterns and motifs, depending on the different regions of Anatolia where they originate.
The ancient city of Konya is a centre for weaving as well as repairing all types of oriental carpets. You don't spend many minutes gazing in a shop window before someone comes out to invite you to: 'Please, step inside.'
Once inside, you are waved to a seat and offered tea or coffee. Even if you are just looking, the merchant is pleased to show off his wares and hand you a catalogue.
In our case, Mehmet bey made us welcome, saying he was happy just to talk about his business.
He speaks half a dozen languages and travels the world to sell his goods in cities like Paris, Frankfurt and New York. As well as old carpets, he sells rugs made locally, to his orders. His carpets are made using natural dyes and the best wools. These modern carpets and kilims are woven in the villages around the city, using traditional motifs and patterns. To see and admire some of the wonderful carpets in his stock, try http://www.silkroadrugs.com/
His shop was a veritable Aladdin's cave of treasures, antique and modern carpets, kilims, woven nomad tent decorations, cicims, battered tools from long ago, as well as furniture and ornaments from the Ottoman period.
Looking at the neat and not so neat piles of carpets, it seemed to me that they were like books and the shop like some sort of library. You need to read a carpet. Its colours and motifs tell you about the way of life and the tribal origins of the area where it was made [the Turkic peoples were originally nomads travelling westwards from Central Asia] ; the number of knots per square inch, the quality of the weaving; the materials used: wool, cotton or silk. And then the carpet has to appeal to you aesthetically and emotionally as an item you will live with and treasure - just like a good book.
The Large Print edition of The Rake's Challengeis published on 1st July by Ulverscroft.
Anna visits Brighton for the summer season. It is her first visit to the seaside, so naturally she wishes to experience sea bathing. She goes for a dip - but ends up in hot water with Giles!
It is not long before she catches the Prince Regent's eye ... and after that it takes all of Giles's ingenuity to rescue her from any number of dangerous situations.
Writers’ Checklist welcomes Regency romance author Beth Elliott whose pleasure of stories set in that era has stayed with her throughout a career teaching foreign languages in several countries. No wonder she now writes her own Regency tales about adventure and intrigue but mostly with a light touch and a happy ending.
Apart from non-fiction reports my first published piece was 'Hidden' - a travel article about Prague. It grew out of a writing exercise on being outside, looking in. I wrote that I was standing by a dingy shop window but was enticed by the spicy smell to go inside. I discovered it was a delicatessen; a treasure trove of mouth-watering hams, cheeses, crusty rolls and bright coloured salads. A magazine took it and I had taken a big step forward with my writing.
What are your writing strengths and weaknesses?
The usual comment is that my writing is very visual and that my chapter endings make the reader want to find out what happens next. I can write a villain well, especially the sort you love to hate. Two of my heroes have become popular with readers, which is most encouraging. I'm now trying to outdo myself in that respect with my current novel. I've been fortunate enough to travel a lot and like to take my characters to places I've seen. So far I don't seem to have overdone the exotic locations.
As for weaknesses, I worry about varying the pace enough and I know I need to pile on the agony more. My writing buddy constantly urges me to add in more emotion. I'm all for the stiff upper lip, so it's hard to have my hero and heroine embarrassing me like that - but we get there in the end.
Is there a special place you like to write?
'Measure the piano' we told the builder, years ago when our son wanted to learn to play. The instrument was too large for the living room and so we had an extension built. The piano is long gone but the cosy study is my ideal writing room. I can shut the door on the knee-high welter of papers if visitors come. The bookshelves are above the computer so I can glance up to refresh my ideas by looking at a well loved story, or maybe a photo or ornament. A rambling rose [pink] nods outside the window and behind me is an exercise bike that I use while reading what I've just printed off or checking facts in a book.
How important is it to you to plot your novels?
I would find it impossible to plot a full story and then follow that plan to the letter. My characters simply would not agree. They often surprise me by what they insist on doing. To start a novel I spread out a bunch of faces [collected from magazines] on the table. One of them will immediately assume a character and be involved in a set of events that develops into a story. Next, I pick out their family and friends. Immediately they become real people to me, my "other family".
At this stage I only have an outline plot. Yet already, some scenes are vivid in my mind although I have no idea where or why they must be part of the story - but they always fit in. It's as if the story reveals itself to me once the main outline takes shape. When the structure is set down, my chief concern is to have an accurate timeline.
Why do you think we’re attracted to villains in romantic stories?
The answer has to be in the word 'romantic'. We need a counter-balance to the hero, preferably someone who, with a few tweaks, could himself be a hero. Some writers keep us guessing for a while, which means the villain often has attractive traits. Most girls like to think they could reform the bad boy, so the villain can often appear to be a fascinating character - at least to start with. Whether we regret his refusal to reform or we eventually turn from him in disgust, he's a vital part of a romantic story.
Who is your favourite heroine?
Elizabeth Bennet. I've known her since I was twelve and for a long time she seemed like the kind and admirable elder sister I wanted. All these years later, I still find her romantic journey credible and satisfying. I never tire of reading her story.
What are you working on at the moment?
I'm doing a final edit on Scandalous Lady. This is set in Constantinople in 1811, when Lady Hester Stanhope is living there. I enjoy blending real people into my stories, although they are never the main character. Like Lady Hester, Olivia is in search of a new, independent life. However, when she encounters a half-French, half-Turkish diplomat with the most beautiful eyes she has ever seen, her resolution is severely tested. The hero is trying to negotiate an end to the war between the Sultan and the Russian Czar but he is beset by villains determined to prevent a peace treaty being signed.
Olivia finds herself struggling to cope with a very different way of life, and this is further complicated when a shadow from her scandalous London past arrives in pursuit of her. This story features oriental palaces and some old Ottoman traditions. Perhaps I should add that my Turkish husband and I lived in Turkey for some years. He had worked as a tourist guide when he was a student and he used to take me round historical sites telling me anecdotes to make the visit more colourful.
What advice would you give to an aspiring historical novelist?
The first essential is to know the period you're writing about. It really jars if you slip up on details that are not correct for that time. I still gulp when I remember reading a story in which Good Queen Bess and her ladies sat down for buttered scones and tea at 5pm every day! So research and more research is fundamental. Then, the second important thing is not to swamp the reader with pages of research details - but to write a novel about your characters who live within the framework of the period that you are confident you know and can enhance by a detail as appropriate.
Beth Elliott has been in love with the long Regency period since she first opened Pride and Prejudice, aged 12. Beth's first novel,The Wild Card, was shortlisted for the RNA Romance Prize in 2009. Since then she continues to write more Regency tales, set in London, Bath, Brighton or perhaps a more exotic location such as Lisbon or Constantinople.
When not writing, Beth reads, does flamboyant bead embroidery and travels. All the places she visits get into her stories, which is a good enough excuse for going.
....or, for the heroine, accomplished, athletic, gracious, spirited and pretty....
Fictional heroes and heroines are usually an amalgamation of physical and character traits observed in several people.In addition, they are set up to endure as much agony as the author can pile on right through the novel. The reader must feel satisfied at the end of the story that both hero and heroine have learned something and are better people because of it.
All well and good. However, many writers need a real life person to focus on as they create and develop their hero and heroine. Regency set stories require a dashing gentleman, tall, muscled, elegant, sporty and suave. Other qualities as per story requirement - possibly a tortured soul...certainly a crack shot or a skilled swordsman...
It helps to have a visual stimulus - very often several models are used to achieve a complete hero. Hence, writers work extra hard; spending many hours poring over pictures to fuel their imagination. They seem to prefer black hair, so the following possible beaux are all dark [personally I think David Wenham and Sean Bean could also feature as Regency characters.]
This is a small selection ... but tempting.
All these heroes need their heroines.
We have a list of the necessary requirements for a well brought-up Regency damsel, thanks to Caroline Bingley and Mr Darcy. In a novel, this damsel also needs sufficient character to stand out from the crowd and to cope with the adventures - and agonies - her author is going to pile on her. Red hair is a definite sign of strong character.
These are just a sample of faces that may inspire writers.
It is a great pleasure to welcome Elizabeth Caulfield Felt to my Blog today. Elizabeth is the author of Syncopation: a Memoir of Adèle Hugo.
We are all familiar with the name of Victor Hugo, mainly due to the adaptation of his story Les Misérables into a hugely successful musical stage play and film.
But beyond that, what do we know of Hugo's life and work? Or about his attitude towards his daughters, which led to resentment and rebellion.
Lies, lovers, a diary in code, and a turbulent life. In her novel, Elizabeth draws us into the complex world of Adèle, Hugo's beautiful and clever second daughter. It makes a fascinating story - as Elizabeth explains....
I thank Beth Elliot for making an exception for me on her blog. For you see, Adèle Hugo was born on July 28, 1830, and, as such, is no Regency heroine. In fact, it might be hard to call her a heroine at all. In Syncopation: a Memoir of Adèle Hugo, she is a narrator both antagonistic and aloof.
The youngest child of Victor Hugo, Adèle was surrounded by intellectual conversation and political idealism from a young age. Although pliant and docile as a little girl, she grew up to be an angry young woman. A writer and pianist, Adèle learned that as a female, her achievements held no value. Her father felt that her purpose in life was to be a wife and mother—things she vowed she would never become. Beautiful and clever, she had lovers and marriage proposals, but held herself apart.
Adèle was an engaging object of research. As the daughter of one of France's most revered men, she appears in bits and pieces in her father's history. She is known but unknown, nearly always reduced to the footnotes. I devoured La Misérable, Leslie Smith Dow's wonderful biography of Adèle. Even more fun, I was able to get my hands on a copy of one of Adèle's diaries, published in 1968 and edited by Frances Vernor Guille. This was a fascinating find, as Adèle had kept a journal most of her life. Her diaries were written in a code of her own invention, and Guille explains how he was able to decode much, although not all, of what she had written. These diary entries gave me access to Adèle's voice and personality, and I was fascinated by her.
Why Adèle chose to keep a diary in code is a mystery we modern researchers will never unravel, but with the flexibility of fiction, I can explain it. Why did she write in code? Why did she take some lovers and reject others? Why did she run away? Why did her life end the way it did?
Syncopation: a Memoir of Adèle Hugo reveals the secrets of Victor Hugo's least understood and most intriguing child.
Adèle sounds like a most absorbing subject. Now, please tell us a bit about yourself and your reasons for writing this story.
I first fell in love with the work of Victor Hugo when I read his poem, “Demain dès l'Aube,” a poem that still stirs my heart. Hugo became one of my favorite writers, and I even attempted to read 'Les Misérables' in French (very long, I didn't finish it in French but did read it in English). As a university student, I studied French and English and lived for a year in Strasbourg, France. This was many, many years ago.
More recently, I was talking with some friends about poems we had memorized, and I was able to amaze myself by knowing most of “Demain dès l'Aube” though I hadn't thought of it in about twenty years. Remembering the poem reminded me of Victor Hugo and his family. I had just finished my first novel, Charlotte's Inheritance, and was wondering what to write next. Once I began researching Adèle, I knew I'd found the perfect topic for my second novel.
When I'm not writing, I'm teaching, English, part-time at my local university--or I'm taking care of my two sons and husband. When not doing these things, I picture myself swimming laps, although to be honest, it's more likely that I'll be sitting quietly at home with a good book.
Thank you so much for an interesting and intriguing post, Elizabeth. I wish you much success with all your novels.
From Salisbury to Devizes the road leads through a green and gold patchwork of cultivated fields, punctuated with copses of trees, all this stretching to the horizon with its gentle hills. This is the landscape of the rural England of yesteryear. At intervals there are quaint little villages with open commons and ancient timber framed pubs leaning every which way under their decorative thatched roofs... all that is lacking is a shepherd with a crook or a goosegirl.
In Devizes, the market is in full swing in the main square. On the edge of town, Wadworth Brewery has revived the tradition of delivering the beer by horse-drawn drays. At certain times, it's possible to visit the horses at the brewery - and in the Visitors' Suite you can sample the various beers produced. http://www.wadworth.co.uk/shire_horses.html
Until the coming of the railways, canals were the preferred method of transporting goods. The canal network still exists, although it is more for leisure now. Between Devizes and Rowde are the famous Caen Hill Locks, twenty-seven of them in total!
Lacock is mentioned in The Domesday Book. It had a population of 160 -190, two mills and a vineyard. the Church of St Cyriac was established in the 11th Century.
Lacock Abbey
Lacock Abbey was founded in 1232. It still stands but since the Dissolution, it has been in private hands. Recently, both the village and the Abbey have featured in films, such as Harry Potter and Pride and Prejudice.
The oldest house in the village is King John's Hunting Lodge, situated opposite the church. It is a guest house and tearoom, with a delightful, flower-filled garden. Visitors can select from the tempting array of cakes set out on the dresser.
Corsham
The local limestone - the same as in Bath, gives a golden harmony to all the buildings in Corsham's main street. It is a charming place to visit, with many historic buildings and interesting shops. The eerie cry of peacocks sounds from time to time and occasionally they appear in the streets.
Corsham Court
A Saxon Manor house stood here, reputedly the hunting lodge of King Ethelred the Unready. It has been rebuilt many times, and part is still Elizabethan, with 18th century additions skilfully joined on. The Methuen Collection of paintings is housed here, together with many splendid period items, especially inlaid cabinets.
One of the celebrities of Corsham Court. He knows exactly how to pose for photos.
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