Interview on Lark Journals blogspot

http://larkjournals.blogspot.com/2011/07/introducing-beth-elliot.html

Why I write Ottoman regency stories.

A hidden gem

 On the northern shore of the Golden Horn in Istanbul there is a hidden gem, set in a park with rare magnolia and pine trees. Dating back some three hundred years, it was once a huge royal summer palace with balconies overhanging the water. Now there is just one pavilion left, which is still undergoing restoration. This is the Aynalikavak Kasri, the Pavilion of the Mirrored Poplars.

The dome over the main reception room indicates that it was used for official meetings. Step inside to discover an opulent and distinctly oriental magnificence. The overall effect is stunning and closer examination shows how much time and attention was lavished on the details, as in the wall panels and window decoration.

                      

At the end of the Eighteenth century, Sultan Selim III liked to stay here. One room is called the Composition Room as he is thought to have worked on his music here.

He was a talented composer and in tribute to his contribution to Turkish music, this palace is now the State Music Museum, with a display of ancient instruments on the lower floor. There are occasionally open air concerts held here.

Refilling the well

At this time of year I slip away to Turkey to visit family and friends. The change of scene and the kind welcome is always very refreshing. It helps enormously to shake me out of a tired routine and doubts about the latest WIP.

My current WIP is set in Istanbul, when it was Constantinople. I wanted to write a story about Lady Hester Stanhope but not with her as heroine. Bit by bit the elements have come together and she plays an important role without in any way compromising her character or the events of her stay in Constantinople.

Staying with family and living in Turkish society is also providing material for background events and characters. And of course, there are the usual holiday pleasures of blue sea and sky, the fragrant pinewoods and the scent of the myrtle bushes that grow around my little house.

Time for a swim....and then tea - in a tulip glass - under the pine trees.

The Sharpe Compendium • A great source of Regency era information with LOTS of Sharpe.

Regency era costumes, uniforms, weapons, transport, Army info, recipes, and lots more. All with photos galore of Sharpe and his men. Enjoy!

 http://sharpecompendium.net/wp/
#The Sharpe Compendium

 • Everything you wanted to know about Richard Sharpe but were afraid to ask.

Thomas Hope & the Regency style - Victoria and Albert Museum

Thomas Hope & the Regency style - Victoria and Albert Museum

                 

                       The conservatory steps

This is what a Romantic novelist looks like

Writing Awards

Thames Valley Writers' Circle is a supportive and energetic group that welcomes anyone who wants to write - in any genre and at any level. And as a bonus, we regularly invite members to contribute to an anthology which our webmaster patiently and painstakingly crafts into an attractive book.
This year our new anthology: 'Pick and Mix: a mouth-watering selection' was entered into the national competition run by Writers' News and the David St John Thomas Charitable Trust.
To our delight, it won first prize [from thirty entries]. To our even greater delight, it was also judged to be the 'Winner of Winners' overall in the competition, which consisted of fiction, non-fiction, self-published books, poetry, young adult and children's books, as well as anthologies.

http://www.thamesvalleywriterscircle.org/

Lily of the valley

In the language of flowers, the lily of the valley signifies the return of happiness. Legend tells of the affection of a lily of the valley for a nightingale that did not come back to the woods until the flower bloomed in May.

On 1st May, traditionally, women sell bunches of lily of the valley in the streets of French towns. Young men buy them to give to their sweethearts.

23rd April : Dragons and maidens...and St George

Y Ddraig Goch

This dragon is a symbol to fire the heart of anyone with Welsh blood in their veins. Here he is "passant" in heraldic terms, signifying greeting and [maybe] welcome. Of course he welcomes you in. Why not? He can eat you later.
The Welsh dragon is a Celtic symbol of great age and its origins are lost in legend. It is said that Romano-Welsh soldiers used the red dragon on their flag in the Fourth Century. The dragon is also tied into the legend of King Arthur - his father was Uther Pendragon. This dragon is a symbol to unite people [except maybe at Twickenham for the rugby...]

What a contrast with the loathsome monster of general folklore. From all corners of the world, tales represent dragons as evil, heartless beasts, seeking a bed of treasure to sleep on. Here they will slumber for up to a thousand years. But let anyone invade their lair, and they will strike in terrible revenge, killing a village or so and carrying off maidens to devour at their leisure.

In comes St George, cast forever as the fearless slayer of dragons. In this picture, he is in time to save the maiden.  There's a story in here.

Happy St George's Day, everyone and everywhere. Let all your dragons [bar Welsh ones] be slain.

Chapter 9 - the magic chapter

It's happened again, hurrah! When I start writing a new story, I know what my characters look like and roughly how they will act. It's no good planning in too much detail, because they never stick to my original ideas. Chapter 1 is an easy one to write, setting events and relationships in play. Then things move along according to the plan - but oh, how hard it is. These people are as cold as ice, hiding all their secrets and plans. Why won't they interact with more feeling? Why are their actions so quickly told?  Where is the emotion?

I've learned to persevere, coax them all through their scenes and wait for that breakthrough.... And at last it comes. And it's nearly always in Chapter 9 that the veils fall away. They become real people, and reveal the good and bad elements to their character. Suddenly I feel part of their world and they let me join in and follow their ambitions, emotions, phobias, whatever. It's often at this point that they bring in completely new characters that I have to accept because they are obviously essential to the story.

It's definitely the point at which I lose control but as always, this is a wonderful moment.

The romantic hero and his appearance

Recently I asked in a blog discussion what a romantic hero's qualities should be. The answers came back : he should have integrity, honesty, courage, loyalty, compassion, kindness. In addition he needs a sense of humour and should be fierce and passionate.

How do we picture our hero when we write or read a novel? If we give him some or most of the above qualities, do we want them to be hidden by a moody exterior or do we want our hero to stride across the pages, straight-backed, fiercely gazing at his foes or merrily facing his troubles with a carefree front? Shall we add faults, weaknesses for him to overcome, a problem with his character, an unattractive appearance or maybe an external difficulty such as poverty to test him? And is our hero aware that he is a romantic hero?

Georgette Heyer had her tongue firmly in her cheek when she wrote in 'Devil's Cub' that the prim Frederick Comyn "cherished a love for the romantic, which the Marquis of Vidal, a very figure of romance, quite lacked."

It's tricky to give a precise description of a character when you are writing a novel. We all have our own idea of beauty and want to project that onto the hero in the story we are reading. Only Colin Firth has been [almost] universally accepted as Mr Darcy.  But we're each of us entitled to draw inspiration from the type of man we prefer - and isn't it a good job we all like different physical types!!
Here are some of the guys who help me create a hero for a story.

             Guess I rather like dark hair in a hero.... but notice I put Sean Bean at the top.

Stratford-upon-Avon and Shakespearian Delights

On a sunny March day a visit to Stratford-upon-Avon evokes Shakespeare and his times very convincingly, especially as re-enactors in 16th Century costume are wandering round all the local sites, and ready to chat if tourists want more information.


The garden at Anne Hathaway's Cottage had many herbs starting into growth. The orchard is prepared for the season and the willow arbour neatly trimmed at this season, although by summer it will be almost hidden by the waving strands of freshly growing branches.


   

In town, Shakespeare's Birthplace was full of guides in Tudor costume. They were all eager to share their knowledge of the period, whether in the dining room, where the table was laden with fine meats and a large round cheese, or in the parlour with its spare four-poster bed and spinning wheel. The making of gloves was demonstrated [Shakespeare's father was a glove maker] and upstairs we saw how a shelf could be drawn out from under the four-poster for the children to sleep on. Practical if not comfortable.

 Out in the garden, a pair of lovers held hands and talked earnestly. She looked very fine in her wide skirts, her hair braided under a sweet white cap sewn with pearls. He was as dashing as could be in his jerkin and padded short breeks, high boots, and his beret with its frilled edge. Ah, young love a la Shakespeare.

The Large Print edition of 'April and May'

Another new step for me.

My third Regency tale, April and May, is published by Ulverscroft in a Large Print edition on 1st March.

1st March is also St David's Day which makes the occasion more special.

Essential qualities for a Hero

This last week I was a guest on Carrie Lofty's Unusual Historicals Blog. The question I asked was : What qualities do you consider essential for a Hero?

The answers have been most instructive. It seems we still appreciate the traditional qualities that have always been part of the hero's characteristics.
Integrity, honesty, courage, loyalty, compassion, kindness, - these were mentioned by nearly everyone who commented. In addition, the hero should be smart, thoughtful, have lots of humour and be willing to do anything for the heroine. He should also be fierce and passionate.
The suggestion I liked most was protectiveness. It's a delicate balance to portray protection not possesiveness. The hero in 'The Rake's Challenge' becomes very protective of the heroine, against his will at first.

And there was a plea for a good guy hero. I wrote one of those in 'In All Honour'. Greg started out as a secondary character in 'The Wild Card', where he was a decent fellow, the hero's best friend. So I couldn't change his character. I love Greg but it was a hard story to write. I'm very glad he has an admirer. And it encourages me to try another decent guy as hero. He's there already, just waiting his turn.

This list of qualities inspires many ideas to create sympathetic and admirable heroes. Now then, what about their appearance?

#Unusual Historicals. Exotic but dangerous.

This week I'm guest blogging on the Unusual Historicals Blog.

http://unusualhistoricals.blogspot.com/2011/02/guest-author-beth-elliott.html

Guest Author: Beth Elliott

This week on Unusual Historicals, we're welcoming Robert Hale author Beth Elliott, whose latest Regency romance, APRIL AND MAY, is set in Constantinople. Here's the blurb:

In Constantinople, 1804 Rose Charteris comes face to face with Tom Hawkesleigh, who broke her heart four years earlier. And now she is forced to work with him on a secret mission for the Ottoman Sultan.

The tension rises further when Kerim Pasha, the Sultan's chief and very handsome minister, falls for Rose's English beauty. A spirited heroine, two handsome suitors, danger everywhere...enjoy!

'Plenty of wit, gusto, flair, charm and warmth! An unmissable treat for Regency fans everywhere!' ~ Single Titles

'An enjoyable read.' ~ The Historical Novels Review

' A sparkling romance.... Dive in and enjoy.' ~ Myshelf

A "yali", a waterside mansion where wealthy Turks spent the summer months.

Can you explain what the title APRIL AND MAY refers to?

Rose, the heroine, has her early romance cut off short, so her April comes to a frosty end. Later, she gets a second chance to blossom and we leave her as she reaches her May.

Tell us why you set this story in Constantinople.

Constantinople is a fascinating city, a blend of Eastern and Western elements. It has many exotic buildings and a long and rich history so it makes a wonderful setting for a story in any period. I also love the fact that the city is divided into three parts by the sea. Each part has a very distinct character yet they are tightly interlinked.

When I researched the history of the late Eighteenth Century I found that both the British and the French were desperate to have the Ottoman Sultan as their ally. Selim III, the Sultan at that time, knew that to save his empire from being swallowed up by the Russians, he had to modernise his army, even though his generals wanted to carry on in the traditional way. He was very pro-European and was seeking help either from Napoleon's French officers or from the British. That gave me a suitable reason for Tom to be in Constantinople in 1804. He is the secret agent advising on modern methods.

On a personal level, having a Turkish husband, I experienced much Turkish hospitality and came to understand their way of life. It is incredible how honoured a Turkish family is to receive a guest. I wanted to convey that in the story. My husband had worked as a tourist guide in his student days so he loved taking me to visit important historical sites. And when he showed me round these famous places, including the Harem in Topkapi Palace, he was always full of anecdotes to make the visit even more colourful.

The newly restored Fruit Room in the Harem.

So is this story based on your own life?

Only in showing Turkish customs from an outsider's point of view. Rose, the heroine, is interested in the Ottoman way of life, but not even the powerful and handsome Kerim Pasha, the Sultan's chief minister, can tempt her to stay in Constantinople. I like my heroines to have a choice of men but the truth is that Rose and Tom have never resolved the issues from their earlier romance. Until she can do that, she is not interested in any relationship.

I also turn the idea of being an outsider on its head, when Kerim Pasha comes to London and we see him observing the English way of life with eager curiosity. Rose and Tom have to unite their efforts to look after him, which draws them together again.

Are you planning any more stories with exotic settings?

THE RAKE'S CHALLENGE, which comes out in July, is set in Brighton. The Royal Pavilion there is about as exotic as you can get! And the hero is fascinating…

And I'm currently working on another Regency-set novel which opens the door onto the Eastern side of life in Constantinople. There are feasts in exotic palaces and festivals of Ottoman style events--and a drop-dead gorgeous oriental hero.

***

Thanks for stopping by today, Beth! Readers, Beth is giving away signed books to two winners. Just tell us which qualities you like to see in a hero. I'll draw the winner next Sunday. Void where prohibited. Best of luck!

North of the Golden Horn

THE GALATA TOWER  was originally built in 1348 by the Genoese merchants who lived in the area north of the Golden Horn. From the top floor of the Tower there is a magnificent panorama of the whole city. Today you can enjoy this view while eating in the splendid restaurant there. For those Genoese merchants of old it was a look-out post and a way to know when their ships were arriving with the merchandise that made them wealthy.

Here is the view from the top of the Galata Tower. What a splendid vantage point.         

      

This part of Constantinople was outside the city, across the wide arm of water called the Golden Horn and was the designated place of residence for foreigners. The Greeks originally called this place "Pera", meaning the Fig Field. Then, when the Venetians became the majority group, the name Galata was added, and both names are still in use.
Traditionally, all foreign embassies were set up in Galata and all foreign visitors would expect to stay in this part of the city. Little by little wealthy Turks also moved northwards and the sultans and many members of the royal family established hunting lodges and palaces along the shores of the Bosphorus.



Here is Hatice Sultan's palace, designed in about 1800 by Antoine Ignace Melling, an Austrian artist. Hatice Sultan was the sister of Sultan Selim III.

Regency stories with an Ottoman element - First part

There is a new interest in Regency period stories set in Mediterranean lands or else in the Ottoman Empire. Harlequin Mills & Boon is actively encouraging Ottoman set stories but with a strong English link. And there are some good stories out there already. Among those I have read are Amanda McCabe's series, To Catch a Rogue, To Deceive A Duke and To Kiss A Count, which have an underlying theme of excavations in countries like Sicily, Italy and Greece. Before that there was the deliciously funny Mr Impossible by Loretta Chase, which takes place in 1820s Egypt. Then there is my own April and May, which is set half in Istanbul [when Istanbul was Constantinople] and half in London.

Constantinople is a splendid setting for a story. Where else is there a city that sits on two continents, and where so many different cultures mingled with a reasonable degree of tolerance. That was a typical feature of Ottoman society - and although Istanbul is still Mediterranean and multi-cultural, the best place left nowadays where there is still full evidence of this tolerance is in Lebanon.

Istanbul - I am listening to Istanbul, intent, my eyes closed:

Poem by Orhan Veli, recited by Cem Karaca

I am listening to Istanbul, intent, my eyes closed:
At first there is a gentle breeze
And the leaves on the trees
Softly sway;
Out there, far away,
I am listening to Istanbul.....

 Istanbul Dinliyorum [Orhan Veli, recited by Cem Karaca]

Yachts

Giles Maltravers, the rake of The Rake's Challenge, is a keen yachtsman. A wealthy gentleman, he can afford a large and well appointed sloop, the Kestrel. His ship is also useful as a tool of seduction and he uses it to tempt Anna as he knows she longs to travel and find adventure on the seas.

The British passion for sailing had begun many centuries earlier. Yachts were first seen in Holland, where they were used as hunting vessels. The name comes from Jagt = to hunt.  While a boy in the 1640s, the future King Charles II learned to sail a yacht and developed a love of salt water sailing that was to last his whole life. His brother, James, was equally keen on boats. Between them, they started a new fashion among the British aristocracy, which is still popular today.

During the 17th century, yachting began to flourish across Europe. Vessels of all kinds were commissioned as yachts to the wealthy and powerful, from tiny open boats to small frigates. Yachts were instrumental in discovering new lands or in defending vital waterways. They served both as pleasure craft and as working ships, carrying people and messages swiftly and comfortably from shore to shore.
Early yachts were similar to (or had been) Royal Navy cutters, smuggling and pilot vessels.
Their owners sometimes cruised far afield - A founder member of the Royal Yacht Squadron [formed in 1815] missed the inaugural meeting as he was cruising to St Petersburg. Another is believed to have made a cruise which included a visit to Napoleon on Elba. The Prince Regent joined the RYS in 1817.
Members of this association have published accounts of voyages made for exploration, for natural history research or just for pleasure.

Downton Abbey Episode 3-The Hunt/Mary meets Pamuk

Exceeding all expectations....

         
                                                                 

Turks in top hats

Episode 3 of Downton Abbey featured a "gorgeous Turk" - the Earl's words, not mine. But I do agree, Kemal Pamuk [ played by Theo James ] was gorgeous.  It isn't hard to work out where Julian Fellowes got the name, only in 1912, Turks used a patronymic, not a surname so he would have been Kemal,   ...son of   ---    Never mind, by any name, Kemal Pamuk stole the show, along with Lady Mary's heart.

As I watched - and drooled - it did cross my mind that perhaps Julian Fellowes had read my story April and May and been inspired by my Kerim Pasha, another Turk who speaks perfect English and who wears a top hat.

                   

April and May

                                                             

But no, that's just wishful thinking. Probably he was inspired by photos of Mustafa Kemal Ataturk, who was known as 'Golden Head' in his young, party-going days on the social circuit in several countries. He looked as good in the old Ottoman officer's cap as he did in a top hat.

                                                                               
                                   

                                                  Which headgear do you prefer?